The Bauhaus Notes Essays - Bauhaus, Ludwig Mies Van Der Rohe

The Bauhaus Notes Architecturearchitecture When Walter Gropius resigned as the head of the Bauhaus in 1930, Ludwig Mies Van Der Rohe (1886-1969) became its director, moving it to Berlin before political pressures forced it to close in 1933. In his architecture and furniture he made a clear and elegant statement of the International Style, so much so that his work had enormous influence on modern architecture. Taking his motto less is more and calling his architecture skin and bones, his aesthetic was already fully formed in the model for a glass skyscraper office building he concieved in 1921. Working with glass provided him with new freedom and many new possiblities. In the glass model, three irreguarly shaped towers flow outward from a central court. The perimeter walls are wholly transparent, the regular horizontal patterning of the cantilevered floor panes and their thin vertical supporting elements. The weblike delicacy of the lines of the glass model, its radiance, and the illusion of movement created by reflection and by light changes seen through it prefigure many of the glass skyscrapers of major cities throughout the world. ]previous[ ]next[ Architecture architecture Georg Muche's Haus am Horn, the model house for the Bauhaus exibition in 1923, was the first house he had ever designed. It is an extraordinary little Modernist Villa, classical in its own way. As the floor plan shows, it was designed for a single family with young children and no servants. The living room stands at the centre of the house, surrounded by all the other, much smaller rooms and lit by clerestory windows above. The surrounding rooms are linked in a logical way for middle-class households (the man's and the woman's rooms both lead into the bathroom, the womans room connects with the nursery and so on). Muche became as fascinated by the idea of low cost, quick assembly prefabricated buildings as Gropius and Meyer. In 1925 they designed a house that could be assembled simply from steel panels. ]previous[ ]next[ Architecturearchitecture When Walter Gropius resigned as the head of the Bauhaus in 1930, Ludwig Mies Van Der Rohe (1886-1969) became its director, moving it to Berlin before political pressures forced it to close in 1933. In his architecture and furniture he made a clear and elegant statement of the International Style, so much so that his work had enormous influence on modern architecture. Taking his motto less is more and calling his architecture skin and bones, his aesthetic was already fully formed in the model for a glass skyscraper office building he concieved in 1921. Working with glass provided him with new freedom and many new possiblities. In the glass model, three irreguarly shaped towers flow outward from a central court. The perimeter walls are wholly transparent, the regular horizontal patterning of the cantilevered floor panes and their thin vertical supporting elements. The weblike delicacy of the lines of the glass model, its radiance, and the illusion of movement created by reflection and by light changes seen through it prefigure many of the glass skyscrapers of major cities throughout the world. ]previous[ ]next[ Architecturearchitecture ]g a l l e r y[ It was clear from Gropius's Manifesto that the ultimate aim of the Bauhaus was architecture; the very name Bauhaus suggests it most strongly. Each of the school's three directors, Gropius, Meyer and Van Der Rohe, were above all an architect and, rightly or wrongly, the Bauhaus has become strongly identified with the architectural approach that has variously been called Modernism, The Modern Movement or the International Style. The debate surrounding Modernism or the new architecture was carried on in terms heavy with moral conotations: truth, purity and honesty. Democracy even entered into it with the attempt to suppress the predominance of one face of the building in favor of buildings that would only be appreciated by walking around or through them. The structure of the building had to be expressed clearly by its outward appearance. In formal terms, the horizontal was emphasised rather than the imposing verticals of 19th Century public buildings; flat planes were interlocked at right angles and surfaces were rendered white to symbolize purity and clarity. One of the most controversial elements in the german context was the use of the flat roof; the pitched

Writing Essays About Silence Essay Topics

Writing Essays About Silence Essay TopicsWhen writing a dissertation, writing an essay about silence is very important to understand the particular concept of silence. By understanding silence you will be able to put your knowledge into practice. What better way to learn and put your ideas into practice than writing a dissertation that deals with silence?Silence is a common phenomenon that exists all around us. It is the feeling we get when we are still and our mind stops moving. We can try to explain this experience but in reality it is much harder to understand. This is why I believe that students, even when writing a dissertation should be more aware of silence.When you are studying a quiet experience, it is necessary to have patience and determination. To be successful in any writing task, you must develop a calm and steady mind. Writing is all about the words. Your thoughts are not only about your ideas, it is also about how your words are interpreted by other people. And if you want to make the best out of the writing process, you have to learn to be calm, focused and patient.Silence is a process. It takes time and effort to grasp silence and put it into practice. So when you encounter silence during writing or when your reading a piece, you should stop what you are doing and think about it.Silence can be felt, heard or seen. It can be both positive and negative, and if it is negative, then you need to keep a sense of perspective. For example, when you feel the absence of something, you have to understand that there is always an absence, even when the absent thing was powerful, there will always be some power left in it.Silence is also an indicator. If you hear nothing, you can conclude that it is still quiet because there was a vibration that took place and that vibration indicates silence. In the same way, if you see nothing, you can conclude that it is still empty because there was no motion or any energy in it.Always remember that when writing about s ilence, you should be as careful as possible to distinguish between silence and its opposite, but it does not mean that you should disregard silence completely. Silence is not negative, it is not a pain in the neck. You just have to be careful when dealing with it because it is something very different from the usual experience of being in our day-to-day life.Silence should be studied carefully and when it is dealt with properly, it can give you a lot of useful and unexpected things. The best part about learning about silence is that it is a creative process that you can learn a lot from.